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#Lightwright student agreement full

Meet with the technical director to coordinate hang, focus, dark time, etc.

Complete a cue synopsis that details all lighting shifts and changes.

Meet with the scenic designer to discuss all masking, flying, shifting scenery, and any wired practicals.

Meet with scenic designer, costume designer, and your mentor to discuss color.

Please note that you are not authorized to order anything unless you receive specific prior approval by your mentor.

Once your plot is approved, it should be given to the technical director along with any accompanying paperwork so that they may order gels, templates, etc.

#Lightwright student agreement full

Meet with your mentor for plot and preliminary design approval at least one full day before presenting it to the director or other production team members.Develop a light plot in Vectorworks and instrument schedules, magic sheets, and other supporting paperwork in Lightwright as necessary.Meet with the director and your mentor and agree upon the overall production and lighting concept approach (concept statement).Develop preliminary concept statement and begin rough cue synopsis.Begin attending rehearsals regularly, these should be run-throughs whenever possible.Review script, noting both “broad-stroke” and “moment to moment” demands.Discuss overall production concept, theme, style, period, etc. Whenever possible it is best if this includes the entire design team. Schedule a conversation about the play with the director and your mentor.Obtain a current section and groundplan of the theater from your mentor or the technical director.Make sure the stage manager has all of your current contact information. Attend all design and production meetings.

It is important that you meet these dates because it affects the work of so many other people. Consult the departmental production calendar and note all due dates.Determine research and dramaturgical needs. Read the script several times, taking note of overall story and theme and specific physical needs.Michael Gillette’s Theatrical Design and Production, 6 th ed.) Expectations The designer must also furnish all associated paperwork for the design including hook-ups, schedules, cut lists, and a cue synopsis. To show where the lighting equipment will be placed, the lighting designer produces a light plot specifying the placement and configuration of all instruments used in the production. The Lighting Designer is responsible for the design, installation, and operation of the lighting and special electrical effects used in the production.